Book of Hours, Use of Rome (MS Crouch 2)

Book of Hours, Use of Rome (MS Crouch 2)

Manuscript location

 

 

Place

 

 

Repository

Art Gallery of Ballarat

 

Collection

 

 

Shelf mark

Ms. Art Gallery of Ballarat, MS Crouch 2

 

Former shelf mark

 

 

Manuscript name

 

 

Name

Book of Hours, Use of Rome

 

Contents

 

 

Summary

1r-12v. Calendar

13r-102r. Hours of the Virgin. Incipit officium beate marie uirginis secundum consuetudinem romane curie.

103r-162r. Office of the Dead

162v-197r. Office of the Passion

201r-214r. Penitential psalms

214v-226r. Litany

226v-229v. Office of the Cross (Officium paruum)

231r-244r. Fifteen psalms of Degrees

 

Physical description

 

 

Support

Vellum

 

Dimensions

115 x 80 mm

 

Extent

i-ii (modern parchment) + 248 fols. + iii-iv (modern parchment). iv-iiv, 102v, 197v-200v, 230r-230v, 244v-248v, iiir-ivv are blank. 

 

Collation

112, 2-1910, 208, 21-2410, 258

 

Catchwords

Catchwords agree.

 

Signatures

Quire signatures are present but are often cut off.

 

Foliation

Foliation by modern pencil in ararbic numerals on upper and lower right-hand corners of the recto sides. No pagination. 

 

Condition

 

 

Layout

16 long lines, ruled in light brown ink; Text: 65 x 43 mm. 

 

Scribes

 

 

Scripts

Fifteenth-century Italian liturgical gothic hand in black ink. 

 

Decoration

Illuminated in gold, ink & watercolour. Black and red entries in the Calendar; red rubrics; caps blue, with red penwork or red, with blue penwork. Edges cut and gilded. One- and two-line initials alternating in red and blue occur throughout the text, flourished in mauve and red respectively. Five historiated initials (from 40 x 35 to 30 x 30 mm; 6-7 lines high) with full borders of floral sprays, spangles and intertwined branches, Florentine work – all in green, blue, red and gold. In the lower margin of 13r is a blank shield supported by putti.

Program of Decoration and Illustration

Fol. 13r ‘D’Virgin and Child

Fol. 103r ‘D’ Death armed with a scythe

Fol. 163r ‘D’ Imago Pietatis Christ with arms folded

Fol. 201r ‘D’ David with harp

Fol. 226v ‘P’ Bare Cross

 

Musical notation

 

 

Binding

Nineteenth-century dark brown pigskin over boards. Covers bear simple panel with a fleur-de-lis at each corner and centre leaf design, all gilt. Spine has a fleur-de-lis in each compartment and the lettering OFFICIUM / B.M. VIRGINIS / M.S.S / SEC. XIV, all gilt. 

 

Seals

 

 

Accompanying material

 

 

 History

 

 

 Origin

Florence, 1450-1500

 

 Provenance

Inside front cover is an engraved buckler bearing the motto ANIMO ET FIDE and the interlaced monogram EWB. ir has in modern pencil ‘Officium B.M.V. Italian MS. 15th century with five illuminated pages’ and ‘Ex libris R.A. Crouch’ who presented the volume; now MS Crouch 2. 

 

 Acquisition

Presented to the Art Gallery of Ballarat by Colonel the Honourable R.A. Crouch in 1944.

 

 Bibliography

 

 

 Bibliography list

K.V. Sinclair, Descriptive Catalogue of Medieval and Renaissance Western Manuscripts in Australia, Sydney, 1969, pp. 272-273 (Item 167).

M.M. Manion and V.F. Vines, Medieval and Renaissance Manuscripts in Australian Collections, London, 1984, pp. 74-75 (No. 20).

 

 Analysis

 

 

 Commentary

“This late fifteenth-century Book of Hours was probably executed in Florence or a smaller neighbouring centre. The old-fashioned scroll designs of the historiated initials, the unsophisticated adaptation of the contemporary ‘tendril’ border and the laboured figure style all brand it as a product from an undistinguished workshop. The programmed of illustration is an abbreviated version of the double-page type characteristic of many contemporary de-luxe Florentine Hours… Iconographic themes common to both books are presented here in much more simplified form. For ‘the triumph of Death’, the figure of a skeleton with appropriate attributes suffices and the Pietà scene which often introduces the Hours of the Cross in Florentine Hours is replaced by the rendering of a bare cross. The owners to whom the buckler and monogram belong have not been traced.”[1]  

 


[1] Celia O’Brien in M.M. Manion and V.F. Vines, Medieval and Renaissance Manuscripts in Australian Collections, London, 1984, p. 75.

 

 Description by

 

 

 Acknowledgements

 

 

 Other descriptions

 

 

 Digital copies

http://handle.slv.vic.gov.au/10381/168947